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[ Done well, a chair or table should bring together form, balance, and purpose with a clarity that enhances its environment. ]
AMERICAN BUNGALOW COLLECTION:
arts & crafts for the 21st century
Fifty years after Commodore Perry sailed into Japan’s Uraga Bay in 1853, Western designers had confidently absorbed the lightness and strength of ancient Japanese forms. The seminal work of Frank Lloyd Wright and Gustav Stickley transformed the English Arts and Crafts design philosophy into the first cohesive body of American architecture and furniture.
The Bungalow-building boom of the early 1900s brought affordable craftsmanship to middle-class America. While small in scale, bungalow homes were warm and welcoming, with the hearth as the central focus. The craftsmanship of the furniture built for these homes was not duplicated in the half century that followed. At Thos. Moser, we have always deeply admired the craftsman aesthetic, with its celebration of natural materials and traditional joinery, as well as the kindred bungalow style.
Characterized by the telltale craftsman-style reverse tapered leg, the American Bungalow Collection has been a favorite with customers since its initial unveiling in 2002. As we developed the collection, we wanted to achieve a less-bulky appearance, while maintaining the Arts and Crafts aesthetic, so we slimmed down the legs and flat surfaces and streamlined the upholstered cushions. Each finished piece remains sturdy and masculine, yet graceful.
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[ We don’t believe there are any limits to creativity or boxes in which our talents should reside. ]
ARIA COLLECTION:
the art of dining in style
Upon close examination, you’ll see that the
Aria Collection
has much in common with the soft patterns etched by the sea on a sandy shore: gentle ridges and undulating crescents that tease the eye with familiarity—perfect companion pieces for any furniture with a more rectilinear form.
The shell-like back of the
Aria Chair
is methodically crafted with carved convex and concave curves. Unlike stacked and laminated furniture, the entire surface is seamless to the touch. The
Aria Dining Table
is charactertized by its curved, rolled edges and luxurious grain-matched surface, while curved legs and gentle angles echo the softer, refined lines of its companion pieces.
From any vantage point, the
Aria Collection
is an ode to the subtle and delicate refinement that can be coaxed from a block of wood. Fine craftsmanship at this level is a time consuming endeavor, and if you don’t love the process, you're in trouble. Luckily, we love what we do—which means innovation is never far behind.
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[ Well-made objects crafted with a clarity of purpose are never out of date and always welcome improvisation. ]
CRESCENT COLLECTION:
the curved form fascinates mankind
The Crescent series of bedroom cases was originally inspired by a customer who desired a curved adaptation of our standard dresser. We’ve refined the design, extending it into a collection of pieces adaptable to several highly useful combinations.
Most cases are designed with straight lines for a reason—they’re much easier to build. The curves of the Crescent Collection of cases and occasional tables are a challenge, even for the most experienced cabinetmakers. The doors of the Crescent Sideboard are angled differently on each side to match the curved front. The Crescent Hutch contains three separate display compartments behind glass-paneled cabinet doors, as well as two glass shelves in each compartment which lend an airy openness to the interior. All of the Crescent cases feature post-and-panel construction with dovetailed joinery and solid brass hinges. Available with cherry or ebonized drawer pulls standard, or customize with drawer pulls to match your own style and decor.
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[ Curves and planes combine with exposed joinery and spare lines to create a highly crafted look. ]
EASTWARD COLLECTION:
the classic enables the modern
In the early days at Thos. Moser, the initial shaping of seat blanks into their finished forms was truly an exercise in rough sculpture, accomplished with a chain saw and a strong back. Today, machine routers cut seats to their rough shape with greater safety, then an experienced cabinetmaker uses a handheld grinding tool to contour the seat into its finished form.
Shaping the crisp, straight lines of the Eastward seats requires a steady hand and exacting skill. One slip and the vibrating grinding tool will scallop the edge, sending the piece to the scrap pile. Each wedged chair leg must be delicately sanded smooth without grinding away too much of the seat. The result is an object of subtle beauty and remarkable comfort that will surely stand the test of time.
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[ A confluence of craftsmanship with the graphic elements of modern design. ]
EDO COLLECTION:
simplicity holds no conceit
With a distinct nod to the East, the Edo Collection marks the rejuvenation of primitive forms. Open lines and simple shapes belie the deliberateness of the furniture’s design—much like the master designer, nature. The collection is both modern and ageless, effectively bringing the outdoors in to create a harmonious flow between nature and craft.
The Edo period in Japan lasted more than 250 years, between 1601 and 1867 AD. It was a peaceable and stable time; a time when samurais laid down their weapons and began educating themselves in philosophy and art. It was an era when the practical merged with the esoteric. The pieces on this page might have been as at home on the set of
The Last Samurai
or
Memoirs of a Geisha
as they are in a contemporary living space.
Drawing upon his own studies, David Moser found inspiration in the diverse influences of Edo and the Japanese concept of wabi sabi, Scandinavian and Shaker design, George Nakashima, and our own
American Bungalow collection
. He then brought his imagination to bear on the untamed nature of wood. The result is the Edo collection—unique, understated, and undeniably Thos. Moser.
A master craftsman makes complicated work appear effortless. The quality of our furniture derives from simple, organic, and undeniable truths. When you come across objects possessing this quality, you know it instinctively. It is what we strive for in all of our work at Thos. Moser, and what we hope we’ve achieved with the Edo collection.
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[ We have always been students of simplicity - and simplicity is the very essence of Ellipse. ]
ELLIPSE COLLECTION:
elegant simplicity
NOW IN SHOWROOMS
Bigger isn't necessarily better. Intimate, well-designed interiors are often more fulfilling than their larger counterparts. And our new Ellipse Collection is exceptionally well-suited to compact, functional spaces, where each item of furniture should satisfy aesthetic sensibilities - while playing an active role in everyday life.
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[ Classic or contemporary—the look of these masterful pieces can vary creatively depending on your dining chair choice. ]
GEORGETOWN COLLECTION:
beauty and practicality
Our Georgetown family of tables features grain-matched hardwood legs which are individually shaped to create eight facets that uniquely capture light and shadow. Each leg is reinforced with triangular wooden splines that are wedged into the mitered joints, while an elegant brass bracket, designed specifically for these tables, reinforces the structural integrity of the triangular leg joints. The result is a distinguished family of tables of uncommon strength and stability.
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[ Inspired by nature. ]
HARPSWELL COLLECTION:
artistry in wood
Harpswell is Tom and Mary’s hometown in midcoast Maine. Since the Harpswell Chair was developed in Tom’s workshop on the island we thought it fitting to name it “Harpswell.” The design heritage is strictly European and reflects an architecture found in the 1950s. What sets our chair apart is its spare lines and exuberant back crest, which is carved from a solid piece of cherry and shows the wonderful symmetry of growth rings that only wood can give.
With its graceful arcs crowned by a broad back crest, the Harpswell Chair expresses the singular warmth and beauty of American black cherry. This contemporary classic offers comfort that invites you to tarry long after the table is cleared. Available with a padded back, in a variety of fine fabrics or leathers. We can assist you with upholstery selections and send you swatches for review.
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[ Reshaping the traditional to lend a bit of Moser style to casual dining. ]
KATAHDIN COLLECTION:
updating a classic American form
Mount Katahdin, Maine's majestic mile-high peak, is the northern U.S. terminus of the Appalachian Trail. Straight-backed ladderback chairs were common in turn-of-the-century rural homes, and our Katahdin seating design strays from convention with subtly curved rear legs and more deeply contoured slats that provide uncommon comfort. Pinned mortise-and-tenon joints firmly secure the legs and seat frame, eliminating the need for rungs. This reshaping of the traditional Appalachian ladderback design provides comfort and elegance so you can enjoy leisurely evenings at the dinner table.
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[ It is our belief that good design works well in a variety of settings. Like music and art, if it is good, it should travel well, resonating across distance and time. ]
KINESIS CHAIR & OTTOMAN:
functional art
Kinetic energy is produced from a body in motion. It’s what happens when force is exerted on mass, as opposed to potential energy, when energy lies latent in mass. David Moser’s Kinesis Chair & Ottoman are evidence of what is possible when both potential and kinetic energy inhabit the same space: a carved piece of lounge furniture that distills everything we’ve learned about wood, ergonomics, and sculpture into an extraordinary work of art. Combining a fine-art cast bronze sculpture base with a hand-shaped, curved silhouette, this chair is art—albeit of the truly interactive variety.
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[ At home in any environment. ]
LOLLING COLLECTION:
man’s best friend
For those who have wished for the pleasures of a recliner but winced at their appearances, the Lolling Chair provides an ideal solution. Ergonomically shaped to support the curvature of your back and cushioned in thick leather-covered padding, it is the ideal resting place for hours of reading, listening to music, movie marathons, or just plain lolling.
Shaped to support the curvature of your back, the tufted leather-covered padding of the Lolling Chair strikes just the right balance between firm support and cushioning. A simple shift of the five-position back transforms the angle from upright to reclined. The removable headrest is also adjustable. Curved armrests with our hand-rubbed finish provide tactile richness. The matching ottoman allows you to stretch out for maximum relaxation and adds informal seating. The occasional tables feature handsome wedged-tenon joints for each leg, similar to the Lolling Chair armrests.
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[ An aesthetic vocabulary which recognizes the Danish modernist movement and economy of both form and material. ]
MERIDIAN COLLECTION:
creative revisitation
Meridian draws inspiration from diverse sources, principally Danish and Shaker influences while adding David Moser’s distinctive creative touch. The Danes believed that it is the designer’s moral duty to be concerned with improving people’s daily lives. A similar doctrine was expressed by Shakers: "Don’t make something unless it is both necessary and useful; but if it is both necessary and useful, don’t hesitate to make it beautiful." Meridian embodies both of these principles. This "creative revisitation" is a hallmark of both Tom and David Moser’s approach to design, and has become a core part of the company’s cultural ethos. Design is the sum of all that has gone before, and the name Meridian suggests the currency of cumulative design ideas among Shaker, Danish, and now Moser.
In addition to reinforcing our commitment to unadorned, graceful design, Meridian is conceived to offer utility and beauty for generations of users. While also available in cherry, this is our first collection to be introduced principally in ash, which allows the grain and texture of the wood to come to the fore and adds a clean, modernist feel.
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[ As we celebrate throughout 2012, stay tuned as we unlock a few more favorites from the vault. ]
MOSER VINTAGE COLLECTION:
limited edition from the archives
In celebration of our 40th anniversary, we’ve gone into our archives to bring back some of our customers’ favorite pieces from the past few decades. These limited-edition pieces will be commemorated with a brass plaque. As our thanks to you, a copy of Tom Moser’s noted book, Artistry in Wood, signed by Tom personally, will arrive with each Vintage limited-edition order.
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[ Fine woodworking and detailed joinery are as deeply rooted in ancient Asian cultures as in our own. ]
NEW CENTURY COLLECTION:
redefining a classic
The long, slender verticals of the New Century Chairs and the post-and-panel construction of the Sideboard and Buffet Hutch are reminiscent of Wright’s prairie-style furniture. We prefer the lighter proportions created by the horizontal pattern at the top of the chairs, and the beautifully elevated case pieces are elegant new interpretations of the traditional Arts and Crafts aesthetic.
Chairs angle back for comfort. The Buffet Hutch features include glass doors, adjustable shelves with plate grooves and solid brass fittings. The base has a roomy 14"H x 10"D workspace for convenient serving and display. Can be made with top-to-bottom doors on a custom basis, please call for details.
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[ The intent was to build pieces with edges and joints that literally flow, and sculptural surfaces that encourage the eye to roam. ]
PASADENA COLLECTION:
a sculptor's art
Often, the more original the design, the longer the experimental process. It is our respect for this discipline that allowed David Moser the freedom to build and rebuild our new Pasadena designs until he knew they were right. David began exploring the nuances of the chair form using hand tools in combination with state-of-the-art technology to see what kind of movement he could coax out of solid wood. His intent was to build a quintessentially functional Moser piece with edges and joints that literally flow, and sculptural surfaces that encourage the eye to roam. From that genesis, the entire Pasadena Collection evolved into its sculpted state.
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[ Designed to withstand rigorous daily use, while satisfying classic aesthetic tastes. ]
READERS COLLECTION:
homage to an American master
Inspired by the work of American master designer Frank Lloyd Wright and the Arts and Crafts movement, the Readers Collection is both solid and comfortable. Pinned mortise-and-tenon joints ensure these chairs will not rack or loosen even after years of use, while the architectural lines of the table unify and balance the span of its nine-foot-long cherry top. Each leg of the table measures over three inches square, and is recessed from the edge to provide comfortable leg room for up to ten people.
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[ The means of achieving our consistently high quality has resided in the spirit of those who create and the environment in which they work. ]
SOFIA COLLECTION:
comfort and composure
The Sofia’s intricate joinery took countless prototypes and more than a year to perfect. As we later discovered, it recreates an ingenious 1,500-year-old architectural design from Constantinople. Under the patronage of Emperor Justinian, craftsmen devised triangular, vaulted wedges called pendentives to cradle the massive circular dome of the Hagia Sophia Church on its square foundation.
Our design integrates the sweeping curves of the side and rear panels to frame the corner assembly. A conical wedge is cut with exceptional precision to fit flush between the sloping halves of the back legs. For strength, each leg member is mortised to hold the tenoned joints of the panels. Since cherry expands and contracts with the seasons, the panels are fitted into grooves in the frame so they can shift slightly without warping or cracking.
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[ Balanced proportion and scale, clean gracious lines, and a reverence for timeless design. ]
TIVOLI COLLECTION:
texture, color and pattern
Named after the famed gardens in Copenhagen, the Tivoli Collection owes much to Danish designers past and present. Not restrained by wood’s unforgiving nature, Tivoli seating achieves comfort with foam, springs, Dacron® polyester and down padding—a reinterpretation that takes it beyond its pure form. The gracious swoop of the arms and the headrest provides a soothing visual line that suggests comfort at first sight. As the mind knows what the eye sees, the chair’s elemental reclined posture immediately informs of its ultimate function.
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[ Our Vita Collection evokes the past and mingles with the present. ]
VITA COLLECTION:
a happy marriage
In the mid-20th century, the developed world was having a love affair with the art of the “new.” Radical technologies and manufacturing techniques were pumping out plastics and synthetics in every conceivable form. Simultaneously, a group of furniture craftsmen broke away from 20th-century industrialization, reaching back to the fine workmanship and hand techniques of previous centuries to realize their vision. Their designs were inspired by the spare, primitive elements of early cultures. These artisans were the forerunners of minimalism.
Similarly, with our Vita Collection, we have consciously evoked the past and mingled it with our own sensibilities to create something largely different. A stunning tribute to the influences of minimalism, it represents the confluence of our craftsmanship with the bold, graphic elements of modern design. Whether your taste leans more towards the traditional or the contemporary, the Vita Collection should be at home most anywhere.
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[ Well-made objects crafted with a clarity of purpose are never out of date and always welcome improvisation. ]
WINDWARD COLLECTION:
joinery as ornamentation
We strive to create forms that are pleasing in themselves—forms that achieve grace through
proportion and simplicity, rather than embellishment. The ornamentation in our work derives from the exposed architecture of the furniture, such as the hierarchy created in our Windward pieces by the division of space between vertical and horizontal lines.
Limited to available wood in short lengths, Asian craftsmen became masters of geometric patterns. The geometry of each Windward sofa back requires 26 separate pieces and 42 precisely fitted mortise-and-tenon joints. The weight-bearing bottom rails, which span the full length of the piece, are strengthened by vertical stiles that serve as I-beams while maintaining visual continuity.
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[ Fine craftsmanship at this level is time-consuming, and if you don’t love the process, your in trouble. ]
WING COLLECTION:
taking flight
Over the years, we’ve built wood furniture that’s comfortable, despite the fact that solid wood has a reputation for being somewhat tough on the backside. There are no hard or flat lines to be found in our Wing Collection.
Curved arms are sculpted from blocks of solid cherry, carved and sanded to their full expression. The arms cascade down the sides into the legs—interrupted only by a subtle shadow where they attach to the stretchers—each element aligning with the others in consummate balance and comfort.
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Click here to request a complimentary copy of our catalog
Drift Reclining Chair & Ottoman
- Introducing Drift. Innovation, comfort, quality, and beauty.
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