The Living Room
The open layout of the interior invites intimate gatherings that flow seamlessly throughout the space. A pair of Vita Lounge Chairs and matching Vita Ottomans immerse you in the views from the large south-facing windows that fill the room with natural ambient light. A Vita Cube Side Table adds continuity and functional grounding.
The Kitchen
A trio of Auburn Stools frame the island with functional seating that also creates a visual break in the open floor plan space. Behind, a Continuous Arm Bench connects the modern kitchen with the dining area.
The Thos. Moser Continuous Arm Bench
Positioned at the threshold between indoors and out, the Continuous Arm Bench offers a warm welcome home. Its graceful, uninterrupted crest rail brings a sense of movement to the entry while creating a natural place to pause before heading out—or returning from the Maine coast. Like the home itself, it balances beauty with everyday purpose.
The Dining Room
The dining room has always been the gathering place in this home. First purchased in 1981, the Harvest Table remains at its center. It's paired here with Fanback Chairs, a predecessor to the Catena Chairs.
The Bedroom
Simplicity and clean lines bring peace and a sense of calm to the bedroom. The long tapers of the Pencil Post Bed and Minimus Table lengthen the space and provide lightness. An Aria Chair rounds out the space; its fluted back lending an air of sophisticated play.
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Living With Intention
For Anne and George, home has always been more than a place to live—it’s a reflection of their values: a space shaped by experience, intentional design, and appreciation for craftsmanship. Their journey with Thomas Moser began in 2005, almost accidentally, when Anne stepped into the Georgetown showroom, drawn to a Vita Chair she saw in the window. Until that day, she had associated the brand with traditional Windsor styles—“Beautiful, but not quite my style,” she admits. But this chair was different: sculptural, graceful, quietly strong. “I was smitten,” Anne recalls, “This was not just a piece of furniture, but a work of art.” She wasn’t expecting to find the centerpiece of their future home that day—but sometimes, the most meaningful connections are the ones we don’t plan. "The interior finish is a vessel to showcse the owner's carefully curated art and furniture." -Charlie Moore, Moore Architects, PC. As with the Vita Chair, their home began with a chance encounter. One day, while out for a drive at the height of the pandemic, the couple spotted a modest property for sale near the Potomac River. The location was prime, and the original house was charming, but it was cramped, dark, and outdated. Enter Charlie Moore of Moore Architects PC. Together with the owners, the team of architects, designers, and builders assembled by Moore Architects set out to create a new home that would do justice to the lot and the owners’ intentions. The goals were to design a dwelling that was large enough without intruding on the neighborhood; to combine modern forms with traditional local styling; and to provide interior spaces for the owners’ sizable art and furniture collections. The resulting collaboration gave birth to an award-winning 4800 square-foot house that serves as the perfect stage for those collections—and for their Thos. Moser furniture, in particular. Above: The open dining area and kitchen feature the Aria Chairs, Oval Ring Dining Table, and Coal Shovel Stools. Below: A custom Crescent Side Hutch in figured maple, Coal Shovel Stools, and an Edo Studio Chair in cherry. “Their favorite Moser piece? “That’s tough,” says Anne. “We really love them all, but for sheer elegance, I’d say the Aria chairs. They’re exquisite.” Primary Bedroom: Vita Bed and Vita Side Cube in cherry. Working with the Georgetown showroom, the couple gradually filled the new house with a remarkable collection of Thos. Moser furniture. Here, old and new Moser pieces blend seamlessly with family heirlooms and with what Anne refers to as “souvenirs” from their years abroad. “I wanted furniture that would stand up to our art and the Moore-designed interiors, without overwhelming or feeling trendy,” says Anne. “What I love about Thos. Moser: I love the beautiful materials, the craftsmanship—the joinery! It’s all about making good things that last. The living room, grounded by rich walnut tones, is warm and invites conversation. In the dining room, a pair of antique French candlesticks feels right at home on the walnut Oval Ring table. A custom-figured maple case sits casually below an early twentieth-century Hawaiian aquatint and across the room from an old family cedar chest. The loft, once just extra space, is now a sanctuary, filled with a Vita Three Place Sofa, Element Credenza, and Cumberland Chair, NYPL Branch Swivel Chair, and the iconic Chaise. In the small spare bedroom, Anne’s mother’s portrait gazes down on the Studio Bed in cherry. The overall effect is interiors that are meaningful, harmonious, and quietly elegant. When asked what guided their furniture selections, Anne explained that her initial criterion was mainly cosmetic: Does it look good? Does it fit the space? “It’s a curse,” she confesses, referring to her connoisseur’s eye. She spent her formative years in Europe, where, as a child, she accompanied her parents to countless galleries, palaces, cathedrals, and gardens. “Too many,” she says. “My mother was a great enthusiast of art and architecture!” “Once you buy your first Thomas Moser piece, it becomes nearly impossible to turn back. The quality, the design, the philosophy behind each creation—it all becomes an essential part of how you experience your home,” says Anne. Above: Custom Crescent Dresser in figured maple. The furniture also had to meet the couple’s high standards of quality and comfort–plus pass the “legacy” test: Would their daughter want the furniture someday? This past fall, they had the chance to answer that question when they offered their original dining table and chairs to their daughter and son-in-law. “What a pleasure it was to sit with them this past Thanksgiving at the very same Moser table and chairs that our daughter grew up with,” says Anne. What’s next for the couple? Nothing too ambitious, they say. They hope to travel and see more of their family and friends, who are scattered here and abroad. “But it’s so nice to have a place to come home to, filled with the things you love.” Including, of course, that first Vita Chair.
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Set for Summer
Complete with classic New England architecture, cedar shakes, and a Maine-made weathervane, customer Chris T.’s home blends his passion for boating and Maine artisanship. Initially, the 6,500-square-foot “Eagle Loft” was built to store his two Hinckley yachts during the off-season. It wasn’t until the project was well underway that Chris decided to add the living quarters to enjoy the area and entertain guests during the summer. A bay of open windows invites the iconic Acadia National Park coastline in with dappled views of the Bear Island Lighthouse through a lush canopy of heirloom maple trees and cool salt breezes from the Somes Sound. Above: The Eagle Loft Chris’ affinity for Maine and fine craftsmanship started in the late 1960s, as a 12-year-old, when he spent his summers visiting his aunt and uncle in New Gloucester, Maine. He vividly remembers those summers when he climbed aboard the Greyhound bus in Boston bound for Maine. One of his favorite summer adventures included tagging along with his uncle to visit his friend at his “workshop.” This was the first workshop in the old Grange Hall. Recollecting his younger years, Chris says, “As a Boston city kid, I was amazed to see furniture being made and refurbished by hand. It created a lifelong interest in following the success of Tom’s furniture over the decades.” As time passed, Chris watched the business grow. Moser was a natural choice when it came to furnishing the Eagle Loft. Every element was thoughtfully planned, designed, and executed. With the main living space situated among the trees, he wanted furniture that reflected the surroundings and exuded Maine ingenuity and craft. When speaking of the table and chairs, Chris notes, “They were the first pieces of furniture I selected for my new home. I’ve admired his furniture for years—the pure craftsmanship, a combination of elegance and comfort, drew me to his designs.” I've admired this furniture for years— the pure craftsmanship, a combination of elegance and comfort drew me to his designs. -Chris T. Chris’ space was made for gathering with a table set for summer soirees after a day on the water. The solid walnut trestle of the Wishbone table anchors the room, and the Eastward Chairs’ hand-sculpted seats invite people to gather and take in the view. At one luncheon, he recalls, “It lasted for hours; it’s a testament to how comfortable Tom’s wooden chairs are.” While family and guests appreciate the fine craftsmanship of the furniture, Chris notes that he delights in showing the maker's signature to guests on every piece- “it always wows them,” he says. The fine art of boatbuilding and furnituremaking shares a symbiosis that enriches the space and the lives of those who visit the Eagle Loft. For Chris, this kinship of craft has created a childhood dream home where he shares meals with friends around a table and chairs designed by a man he met as a child, whilst gazing upon a harbor steeped in a rich history of boatbuilding.
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A Designer's Touch: Where Craftsmanship Meets Personality
Charlie and Maureen chose Thos. Moser furniture to celebrate the craftsmanship of Maine’s artists, blending beauty with meaningful heritage.
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